She doesn’t laugh. They never laugh. That’s the secret of Tampa real estate: no one is buying a home. They are buying a vault to store their grief. A garage to park the memory of the affair they had in 1987. A walk-in closet to hide the bankruptcy papers. I unlock the sliding glass door, and the air inside is the smell of last year’s pork roast and a rug that’s seen a thousand bare feet.
She buys it. They always do. I hand her the keys, and the metal is so hot from the sun it burns a little brand into my palm: a cursive S for sold . Or maybe S for sucker . It’s hard to tell in this light. tampa alissa nutting sample
Tampa, I think. You beautiful, rotting manatee. You sparkler dipped in sewage. You’re the only place where I can be this honest and still get a five-star review on Zillow. This sample mimics Nutting’s use of visceral, grotesque imagery, a deadpan first-person narrator with questionable morals, and a setting (Florida) that acts as a character in itself—sultry, decaying, and absurdly comic. She doesn’t laugh
Mrs. Hendricks touches the blinds. Her manicured nail leaves a tiny dent in the plastic. “Is it haunted?” They are buying a vault to store their grief
I drive back over the Howard Frankland Bridge, the bay below me the color of a dirty aquarium. I roll down the window and let the wind eat my hair. Another soul tucked into a stucco coffin. Another commission check for a woman who teaches tenth-grade English and thinks about her students’ fathers during third period.