Anapesten

Strictly speaking, Byron uses a mix, but the dominant, driving rhythm is anapestic. The two quick syllables ( the As- ) launch you into the stressed SYR , creating a sense of unstoppable forward motion. That is the anapest. To understand why the anapest is special, you have to look at its mirror image: the dactyl (DUM-da-da). The dactyl is the rhythm of a waltz: "HALF a league, HALF a league" (Tennyson’s Charge of the Light Brigade ). It is a falling rhythm—you start high and tumble down.

But there is another rhythm, less stately and far more frantic. It is the rhythm of a horse breaking into a gallop, of a panicked heartbeat, of a joyful, breathless spill of words. That rhythm is the (plural: Anapesten in German, Anapests in English). anapesten

So the next time you feel your heart racing, the next time you laugh so hard the words spill out in a rush, or the next time you read "The Night Before Christmas" to a wide-eyed child—listen closely. You will hear the soft patter of two little feet, followed by the heavy landing of the third. Strictly speaking, Byron uses a mix, but the

An anapest is a metrical foot consisting of : two unstressed syllables followed by one stressed syllable. da-da-DUM Think of the sound of a ticking clock that suddenly slams a door. Think of a rubber band stretching for two beats and snapping on the third. To understand why the anapest is special, you